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A dead silence follows. Lady Rodney raises her head, scenting mischief in the air. "It is really hardly worth talking about," she says, grandly. "I was foolish to lay so great a stress on such a trifling matter. It doesn't signify, not in the least. But—but," the blood mounting to her brow, "if ever you speak of it again,—if ever you even mention the word 'heather,'—I shall hate you!" "Well, mother?" says Geoffrey, when he has gained her room and received her kiss, which is not exactly all it ought to be after a five months' separation. He is her son, and of course she loves him, but—as she tells herself—there are some things hard to forgive..

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"No, no," she says; "all is different now, you know, and you should never have come here again at all; but"—with charming inconsequence—"why did you go away last evening without bidding me good-night?" She is country bred, and clothed in country garments, yet her beauty is too great to be deniable. She is not "divinely tall," but rather of medium height, with an oval face, and eyes of "heaven's own blue." Their color changes too, and deepens, and darkens, and grows black and purple, as doth the dome above us. Her mouth is large, but gracious, and full of laughter mixed with truth and firmness. There is no feature that can so truly express character as the mouth. The eyes can shift and change, but the mouth retains its expression always. The light from the great pine fire streams over all the room, throwing a rich glow upon the scene, upon the girl's flushed and earnest face, and large happy eyes, and graceful rounded figure, betraying also the grace and poetry of her every movement. "Oh, you have him!" says Mona, with a beaming smile, that is not reciprocated by the captured turkey. "Hold him tight: you have no idea how artful he is. Sure I knew you'd get him, if any one could!".